Transcribing Por Nuestra Music

When Dr. Gurrola approached me with the opportunity to help and be a part of The Humanities Collaborative at EPCC-UTEP, I was unsure if I wanted to pursue this.  

The Murals of El Paso: Understanding a Sense of Place Through Public Art

Since the early 1980s, historians have redefined the field of public history’s understanding of audience, stakeholders, and the role of the public in producing community-based research projects.  Public historians have embraced the idea of collaborating with a community to share the authority on storytelling and to gain buy-in on local historical narratives.  

New Jim Crow in a New Era

El Paso Community College (EPCC) is one of many institutions that serves a unique student population.  The majority of its students are Hispanic or of another minority ethnicity, are often first-generation students, and also tend to come from low-income backgrounds.  These traits often become pre-disposed labels that accompany differential treatment that can occur not only in the education system but also in the judicial and carceral systems.  

Visible and Invisible Disabilities: Passing, Representing, and Creating

I had always assumed A.D.H.D was a phenomenon that only manifested in young boys.  Stereotypical and diagnostic characteristics included being disruptive, hyperactive, inattentive, male, and Caucasian.  My diagnosis as a young adult in college had severely disrupted this lens, as I was seemingly the opposite: quiet, timid, female, and Hispanic.

Learning about Layers of History through Audio Production

What does it mean for a sound to be amplified?  Are they made to be more noticeable?  When a sound is amplified, it is expanded. It is made to be louder and heard.  The sounds I hear in one area with more activity may immediately catch my attention, but they are not any less noticeable to what I hear in another area with less activity.  They are of a different ambience as sound stands in different volumes—in different layers.